Cafe Bookshelf: Chasing the Climber's Shadow
[Yes, I know the book was released two years ago in the U.K., but it's just come across my desk. Also, this week is the 20th anniversary of Millar's victory in the 1990 Dauphine Libere.]
Crib Sheet
Title: IN SEARCH OF ROBERT MILLAR
Author: Richard Moore
Publisher: Harper Sport
Pages: 364
Order: HERE
What is it? The story of one man's quest to unravel the my stery surrounding Britain's greatest grand tour rider.
Strengths: Original way of chronicling a compelling story.
Weaknesses: Inevitably, questions go unanswered.
Rating: ★★★★ (4 of 5)
Author Richard Moore has a story to tell -- his own.
It begins in 1984, when as a pre-teen newly arrived in England from his Scottish roots Moore flips on the TV and is awestruck by the sight of fellow Scot Robert Millar cycling to glory in the French Pyrenees en route to winning a stage of the Tour de France. Moore wasn't familiar with Millar or even cycling, but by the time his countryman rode away from the peloton and crossed the line alone -- Millar's preferred status in many respects -- Moore was hooked.
The author went on to a brief, occasionally successful pro cycling career of his own, inspired on the way by dreams of Millar's heroism. Moore's story comes in contact with Millar -- first a teen-years meeting at a cycling camp, later when Millar selects Moore for the British National team, and finally when Moore rides for Millar's Scotland outfit at the 1998 Tour of Britain. The personal contacts are brief and the two don't become close, but this only further fuels Moore's interest. So when Moore embarks on writing the story of Britain's greatest and perhaps most elusive modern-era pro cyclist, the story is as much about Moore's quest for what makes Millar tick... what spawned Moore's fascination with Millar at the outset.
On the surface, the answer is simple: Millar was a pure climber, in an era where grand tours were largely decided in the mountains and heavily influenced by the exploits of climbing specialists like Millar. Since Millar's peak years the grand tours have been staked out by a breed of riders who do everything very well, for a variety of reasons including the elephant in the room. But in the mid-1980s, well-rounded Tour riders (LeMond, Hinault, etc.) were under constant pressure from the mountain men: Lucho Herrera, Lucien van Impe, Steven Rooks -- riders worth of the King of the Mountains title. Millar was firmly among this last generation of a disappearing breed, and in fact today (or thereabouts) marks the 20th anniversary of his triumph in the 1990 Dauphine Libere, perhaps his greatest stage race overall win.
Along with his greatness as a climber, Millar was chiefly known as one of the most difficult, aloof athletes of his time, and these two attributes ultimately compel Moore to go in search of the real story. Through the media and his own brief interactions Moore senses that the personality consists of layers beneath the "bad interview" guy, and by unraveling this mystery he might discover the great climber. The result is unsatisfying on the surface -- Millar participates only briefly, by email, and Moore is left to "play detective," in his words, and guess at what makes this strange man tick. But Moore doesn't give up easily, and not before unearthing some questions whose significance goes beyond one man's story.
My favorite thread in the book is Moore's examination of the tension between climbing greatness and grand tour success. Millar isn't the only pure climber with a quirky, independent personality, and it might even be that such personalities and the solitary aspect of climbing high mountain passes go hand in hand. But they similarly work against the rider, in Millar's case not merely because his talents don't translate on the flats or time trials, but also his aloofness deprives him of that signature grand tour win. Millar does poorly as a team leader, and his inability to make allies costs him dearly, most famously in the 1985 Vuelta a Espana, one of the craziest conclusions to a grand tour in my lifetime. He has bad luck, but as Moore points out, in the end he was lacking that certain something which would possibly have put him over into true British cycling glory.
I've said enough about Millar for now; read on for more details. As for Moore, In Search of Robert Millar is in a way the essence of a biography. Writing a book is hard work, I would imagine, and it takes a certain amount of inspiration to devote so much of oneself to writing the story of another person, a relative stranger. By making his connection to and appreciation of Millar central to the story, Moore lays bare the role of inspiration on the part of the author in a biography. Perhaps the task of cross-examining an absent, enigmatic witness is biting off more than he can chew, but Moore is driven by the same inspiration that we fans and/or cyclists bring to our own place in the sport. Moore's search is for the guy on the bike, and the personal story is sought a means to explain the rider. Moore even goes on to say that he wrote the book to rescue the story of Millar the Scottish Angel of the Mountains from the more prevalent storylines: media scourge, hermit, and of course the sex change rumors.
Moore is fan first, cyclist second, and biographer as a means for feeding those parts of his soul. This gives In Search of Robert Millar an urgency and importance well deserved of Britain's greatest Tour rider, a guy who spent his career driving less inspired people away from his story.
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Was flicking through this again at the weekend, oddly enough. It’s a much better reference resource than a lot of cycling books, the sort of book you’ll refer to many times after you’ve read it..
Partic like the detail he goes into on François Bellocq and the issue of hormone replacement therapy – I know the party line is the 80s was pop guns compared to the howitzers of the years after, but the logic of the argument was very much defined then by people like Bellocq.
Much preferred this book to Moore’s track book – I know that Moore is as much a character in this book as Millar but I think he gets the balance right this time, and compared to some of the things he says about road racing in the track book he himself as a character is a lot less of a problem this time round.
In terms of how satisfying the ending is – personally it worked for me, it was perfect Millar. Having opened up he pulls the shutters down and gets back to his own world.
As I said before the quality of this book is enough to make me look forward to Moore’s next book, which will be about 86 and the parallels he sees between then and last year.
pounding along in three ratios like a sonata
like a Ritter with pommelled scrotum atra cura on the step
Botticelli from the fork down pestling the transmission
tires bleeding voiding zeep the highway
Next book
I am already pestering him for a copy. Can’t wait. I can’t think of a more fun topic to pull back the curtain on than the 1986 Tour, which has had plenty of magazine length coverage but inadequate book length work.
by Chris Fontecchio on Jun 10, 2010 4:05 PM EDT up reply actions
I’ve long believed that 84 (+/-) was when cycling changed – the blood doping by Moser and the LA Olympians, the foreign legion, Anderson and LeMond’s massive salaries, the changes in the Tour’s sponsorship, all that sort of stuff, so I’m kinda hoping that Moore is looking at the big picture of cycling in general and not just the row between two riders. That’s somethng I appreciated about the Millar book, in that it was big picture as well as beng about one man.
86 is equally fitting, in some ways, in that it’s the decline and fall of the King.
pounding along in three ratios like a sonata
like a Ritter with pommelled scrotum atra cura on the step
Botticelli from the fork down pestling the transmission
tires bleeding voiding zeep the highway
One v important thing to remember about him is that he was an ACBB graduate. For a few years there at the end of the 70s and into the 80s they seemed to have been home to most all of the Anglo-sphere riders in the peloton, and there was something about those guys, something impressive in the attitude of those guys, compared to the non-ACBB ones. Rupert Guinness’s Foreign Legion book has a great section on the club.
If you can find The High Life programme ITV did about Millar it’s well worth watching, gives a really good insight into the type of guy he was/is. Some of it might still be on YouTube.
pounding along in three ratios like a sonata
like a Ritter with pommelled scrotum atra cura on the step
Botticelli from the fork down pestling the transmission
tires bleeding voiding zeep the highway

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